Symmetric Scales

A Diminished (Half-Whole) Scale on Guitar — 1 Shape to Play the Whole Neck

A Diminished (Half-Whole) is a symmetric scale, built from a repeating interval pattern rather than the uneven step sizes of a traditional major or minor scale — its notes are A Bb C C# D# E F# G, from the formula 1 b2 b3 3 #4 5 6 b7. For this root it computes to 1 repeating shape.

Real pattern-engine output
A Diminished (Half-Whole)Frets 212 · Position 1 of 1
EADGBE212
Root note (A)Other notes in the scale
Notes
A Bb C C# D# E F# G
Degree formula
1 b2 b3 3 #4 5 6 b7
Shapes to memorize
1 shape repeat across the neck

A Diminished (Half-Whole) Scale Notes

DegreeNoteInterval
1A1
2Bbb2
3Cb3
3C#3
4D##4
5E5
6F#6
7Gb7

A Diminished (Half-Whole) Formula

Degree formula: 1 b2 b3 3 #4 5 6 b7

Half – Whole – Half – Whole – Half – Whole – Half – Whole

A Diminished (Half-Whole) on the Guitar Fretboard

The notes of Diminished (Half-Whole) repeat across the guitar fretboard in connected positions. Use the shape below to identify root notes, scale degrees, and neighboring shapes.

EADGBE212#456b71b2b33#456b7
Shape 1 of 5
  • Frets 212 (span 10 frets)
  • Lowest note D#, highest note G
  • 1 A root note, on the D string (fret 7)

How to practice this shape

  • Start on the root — A at fret 7 on the D string. Play up to the highest note in the shape, then back down, staying inside frets 2–12.
  • Your hand shifts 5 times as you cross strings: E→A (-2), A→D (-2), D→G (-2), G→B (-1), B→E (-2). Those crossings — not the notes — are what this position is really asking you to learn.
  • Once it feels automatic, move it up the neck: this scale needs only 1 shape, so the same fingering repeats everywhere.

What Gives A Diminished (Half-Whole) Its Sound?

The characteristic sound of A Diminished (Half-Whole) comes from its minor 2nd, major 3rd, and minor 6th.

Every chord in this key

Diatonic chords

These are the 6 chords built from A Diminished (Half-Whole)'s own notes — the ones that will sound like they belong when you're writing a progression, backing a melody, or jamming in this key. The Roman numeral shows each chord's role in the key: capital for major, lowercase for minor, ° for diminished, + for augmented. Not every scale produces a clean chord on every degree — where that happens, we show it honestly instead of forcing a name that doesn't fit.

iAm
(II)Bb (scale-derived collection)
IIIC
iii°C#dim
iv°D#dim
Edim
vi°F#dim
(VII)G (scale-derived collection)

A Diminished (Half-Whole) vs A Diminished (Whole-Half)

A Diminished (Half-Whole) and A Diminished (Whole-Half) differ on 5 degrees: the 2nd (b2 vs 2), the 3rd (3 vs b3), the 4th (#4 vs 4), the 5th (5 vs b5), the 7th (b7 vs 7).

A Diminished (Half-Whole) FAQ

What notes are in A Diminished (Half-Whole)?

A Diminished (Half-Whole) contains the notes A, Bb, C, C#, D#, E, F#, G.

What makes A Diminished (Half-Whole) symmetric?

A Diminished (Half-Whole) is built from a repeating interval pattern rather than the uneven step sizes of a major or minor scale.

What is the interval formula for A Diminished (Half-Whole)?

A Diminished (Half-Whole)'s formula is 1 b2 b3 3 #4 5 6 b7.

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